Free AI watermark removal
Drop in a clip and press one button. Temporal-aware AI inpainting finds the overlays itself, rebuilds the background underneath them, and keeps that repair steady from frame to frame. There is no region to brush and no setting to weigh up.
Nothing to mark — the overlays are detected for you
2 credits per second of video
Up to 50 MB and ten minutes per clip
The cleaned clip opens in a session you can come back to, ready to download or carry into another tool.
How it works
Drop in an MP4, MOV or WebM up to ten minutes long and 50 MB on Free and Basic, or 200 MB on Pro and above. That is the whole setup: no region to draw, no mode to pick, no strength to guess at.
The model scans the clip for watermarks, logos, captions, lower-thirds and burned-in subtitles, then reconstructs the picture behind each one. It reads neighbouring frames as well as the current one, so the patched area stays put while the shot moves instead of shimmering.
The cleaned clip opens in a session you can come back to, so you can download it, run the next video, or carry the result into the workflow editor.
Before and after
What it is for
Many generators stamp a corner of every export with their own mark. Clear it off your own renders before they go into an edit, a pitch or a client review, instead of re-rolling the shot and hoping the mark lands somewhere less awkward.
Captions written into the pixels cannot be switched off the way a subtitle track can. Take them out and the same footage can be re-cut, re-timed, or captioned again for another language and another platform.
A channel handle, a sponsor tag or a logo bug from a campaign that ended, sitting in the corner of footage you still own. Removing it puts an archive back into circulation instead of leaving it unusable.
Date stamps from a dashcam or a phone, a name strap from an interview, a ticker along the bottom of a recording. Overlays that were useful once and now only date the clip and crowd the frame.
How the removal works
Most tools in this category ask you to brush over the watermark before they will start. This one has no controls at all: not a region, not a mode, not a strength slider. The model reads the clip, works out which parts of the frame are overlay rather than scene, and gets on with it. One upload, one button.
Patching a video one frame at a time is what makes a repair shimmer: every frame gets its own guess, and the guesses disagree from one frame to the next. Temporal-aware inpainting looks along the clip as well as across the picture, so the reconstructed area agrees with the frames on either side of it and holds still while the shot moves.
The clip ceiling is ten minutes and the price is two credits for every second of video, so a thirty-second clip costs sixty credits. In practice the upload limit — 50 MB on Free and Basic, 200 MB on Pro and above — is what most people meet first: a high-bitrate 4K clip passes it long before it runs ten minutes.
Every plan includes credits you can spend on this page or anywhere else on YouArt, and a new account starts with free trial credits.
Questions
More tools
Choose another tool to edit, enhance or transform your images and videos.
Beyond one clip
This page runs one fixed step. Open the workflow editor to chain watermark removal into a video upscale, stitch several cleaned clips into one, or send a batch of videos through the same graph.
